I have a client interested in older face jugs. By older I mean pre 1970 or so.
I have interest in a piece of Pottersville stoneware similar to the one one pictured. The piece should have a double dipped runny oatmeal-colored glaze as shown. It should also be in excellent or near excellent condition. If it is marked that would be great. It can be any size jar or jug. Pottersville Southern pottery is from early 19th century Edgefield district in South Carolina. Possibly slave made, possibly John Lamdrum.
I have a picture of me holding a jar from a few years ago. I use this as a profile picture on this blog and a few other places. The significance of the picture is not me, it is the jar. I “picked” this piece from a family in central Georgia. Picked is in quotes because I didn’t buy it from them as a picker might have done. I simply helped arrange for them to put it in an auction. I knew it was very valuable.
This family did not know what the jar was. They called it their “Davey Crocket” jar because it had “Dave” written on its side. Crocket? Crockery? Davey? Dave?
An elderly couple owned it. It was a son or grandson who contacted me. When that couple were children, the jar was given to their family by a man whom the family had taken in. The jar, not thought to be worth much, was all this homeless man had to pay them for their generosity. The jar became a curiosity.
I sometimes get calls or emails from people who think they may have something after watching an episode of Antique Roadshow or its like. Usually, it’s no, or it’s just junk, or it’s not nearly worth what you think it’s worth. When I was first contacted about the Davey Crocket jar I was my usual unimpressed. I just asked them to send me a picture. When I saw the picture that changed.
This was a jar signed and dated by Dave. I haven’t talked about Dave here yet, but I will at some point. For now know that Dave was a slave potter in Edgefield, South Carolina. Anyway, there are only a few signed Dave’s known to exist. These pieces, based on, aesthetics, condition, and signature variations, can bring as much or more than $40,000. But this Dave–This Dave was also decorated like a Collin Rhodes piece. At some point I’ll talk about decorations and Rhodes, et al. Just know for now that decorated stoneware is a distinct variety of valuable stoneware from Edgefield. The decoration is the slip motif or swags around the jar’s shoulders thought to have been applied by slave women.
It is the only one of its kind as far as I know, though I don’t know everything. The various decorated jars are the same time period as Dave, but not thought to made by Dave. A decorated AND signed and dated Dave? Wow. Historically it’s proof that Dave was involved in a different category of Southern pottery that no one was a ware of.
One of a kind items like this are hard to gauge the value of, because of their unique oneness. No other pieces like them that have been sold. This jar went to an auction and sold for a lot of money, but much lower than I anticipated.
The family asked me what I wanted for driving all the way down and telling them about their Dave. I said take a picture of me holding the jar. That was all I wanted. (In complete disclosure, I did get a percentage of the auctioneer’s normal fees later.) It makes me smile to think about this, because for almost 175 years that jar had probably been treated no better than a mop bucket. Now I wanted to hold their fragile lottery ticket for a picture. Were they a little afraid I might drop it?
Welcome to Mud Sweat and Tears. Browse the site with the link below as we add more and more shards of Southern antique stoneware, folk pottery, and folklore.
Great & Noble Jar
hold Sheep goat or bear— Dave Drake